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MAC flatiron store & Chic Studios NYC presented a wonderful pro class on Monday, complete with demos of two fashion week inspired runway looks using MAC's newest products. Artists were also treated to an exclusive sneak peak days before the official launch of the two new viva glam lipsticks inspired by Cyndi Lauper and Lady Gaga that [sidebar: I was mortified when a youngster sitting near me had no idea who Cyndi Lauper was!]. Cyndi's lipstick is a fresh strawberry red - nothing sultry or vampy - that is perfect for spring and for those who like a bright mouth or a new spin on red. Gaga's is a real baby pink that balances out a smokey eye. Both have a lustre finish (shiny and moist feeling) and come in the coolest red chrome packaging with the artist's autograph on it. Best of all, MAC donates 100% of the price to its AIDS fund.
One of the demonstrations focused on an alternative to the usual shading in the eyes crease. This look had a dark matte color shaded on the inner and outer crease corners but left the center of the eye blank. Super shimmery crushed metal pigments were pressed and buffed into the center of the lid and crease to really elongate the entire eye. I thought this was a great technique for runway as it can really be seen from a distance. I also agreed wholeheartedly with the presenter's comments about creating texture. You have to use combinations (e.g. matte + shimmer + satin shadows) to get a textured look. Drugstore eyeshadow quads often have four shimmery colors that do not allow for this. I adored every well-chosen eye shadow in the plum-themed quad used in this demo (you can see her holding it in the picture).
The other demonstration showcased all three of their new Spring Colour Forecast blush ombres (gradiated shades of color in one huge blush compact that can also be used as eye shadow). The first look paired several of the colors together in a light wash that was meant to look like someone who had light from a stained glass window reflecting on them. Clever! The second look showed the ripe peach blush used on the eyes and face, paired with my favorite pigment color of all time: melon. We were all enamoured with the way the artist, Reagan, used the 239 eye shader brush to press the pigments on and sculpt the eye and lip details.
Besides the presentation, it is always fun to network and exchange information with other makeup artists. I sat next to a budding YouTube sensation, Jinah chae , whose broadcasts focus on makeup for asians with monolids (no crease in the eye). We both agreed that most makeup books that deal with the issue (sadly) focus on creating something that looks like a crease with makeup. To me, it's the equivalent of super overdrawn lip lines - it doesn't usually look realistic or good. She has inspired so many girls to embrace their monolids instead of hoping to surgically change them or wear the dreaded little tape thingys that force your eye into a crease shape (yes there are such things). I met such a fun variety of people working in several different aspects of artistry. I also got to catch up with one of the leaders of our NYC Makeup Artists Meetup Group, Genevieve Santos, who was a model for the demos. Oh and we got to shop! A wonderful night!
One of the demonstrations focused on an alternative to the usual shading in the eyes crease. This look had a dark matte color shaded on the inner and outer crease corners but left the center of the eye blank. Super shimmery crushed metal pigments were pressed and buffed into the center of the lid and crease to really elongate the entire eye. I thought this was a great technique for runway as it can really be seen from a distance. I also agreed wholeheartedly with the presenter's comments about creating texture. You have to use combinations (e.g. matte + shimmer + satin shadows) to get a textured look. Drugstore eyeshadow quads often have four shimmery colors that do not allow for this. I adored every well-chosen eye shadow in the plum-themed quad used in this demo (you can see her holding it in the picture).
The other demonstration showcased all three of their new Spring Colour Forecast blush ombres (gradiated shades of color in one huge blush compact that can also be used as eye shadow). The first look paired several of the colors together in a light wash that was meant to look like someone who had light from a stained glass window reflecting on them. Clever! The second look showed the ripe peach blush used on the eyes and face, paired with my favorite pigment color of all time: melon. We were all enamoured with the way the artist, Reagan, used the 239 eye shader brush to press the pigments on and sculpt the eye and lip details.
Besides the presentation, it is always fun to network and exchange information with other makeup artists. I sat next to a budding YouTube sensation, Jinah chae , whose broadcasts focus on makeup for asians with monolids (no crease in the eye). We both agreed that most makeup books that deal with the issue (sadly) focus on creating something that looks like a crease with makeup. To me, it's the equivalent of super overdrawn lip lines - it doesn't usually look realistic or good. She has inspired so many girls to embrace their monolids instead of hoping to surgically change them or wear the dreaded little tape thingys that force your eye into a crease shape (yes there are such things). I met such a fun variety of people working in several different aspects of artistry. I also got to catch up with one of the leaders of our NYC Makeup Artists Meetup Group, Genevieve Santos, who was a model for the demos. Oh and we got to shop! A wonderful night!
This sounds like fun!!! You look adorable sitting there ready to absorb every drop of information you can...
ReplyDeleteAwww...thanks for the props! I finally got to check out your feature! :-D
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